On why I am grateful for Resonance Ensemble
“I am still grateful that Resonance stands for showing us the best of humanity by highlighting our existence’s brutal truths through music. ”
If you know me well enough, you'd know that music is an integral part of my existence—all forms of it. I remember not quite knowing what to expect when my friend, composer Damien Geter invited me to a quaint church performance in the heart of Northeast Portland. I walked into what seemed like a much-cultured group of people and found a seat in one of the front pews so I wouldn't miss a note. I remember the warmth of blissful euphony matched with professionalism and a rare sense of purpose, the unexpected consciousness of a chorus that delivered great music while transporting its audience through the realities of the day and raising awareness of social issues. I had never witnessed that before Resonance. Impressive. I left that church knowing I'd answer as best I could, every invite that Damien sent me to see this again.
I was asked to another event at Cerimon House, and again I was blown away by not only the musical arrangements and delivery but the group's commitment to uplift and celebrate those who oftentimes have been forgotten in our community. Mental illness, depression, suicide, addiction, failing health, abuse, and victimization, to name a few of the conditions we often gloss over or dismiss. Resonance found a way to bring them all to light. The juxtaposition of these misappropriated sordid instances against music made them come to life in a manner that unearthed the truth and the dangers of our selective neglect. I am still grateful that Resonance stands for showing us the best of humanity by highlighting our existence's brutal truths through music.
I did not hesitate when Damien, Katherine, and the late Dinah asked that I join the Resonance Ensemble Board. I've enjoyed the privilege of serving. I was also profoundly honored when Damien asked me to write the foreword for An African American Requiem (rescheduled for May 7th, 2022). I am confident it will long-stand as a seminal work that takes on yet another brutal reality that threatens our humanity- racial injustice.
The work of Resonance Ensemble continues to inspire even as the world struggles in this pandemic. Under the Overpass truly encapsulates our resilience as a community. Resonance did a fantastic job capturing and reflecting such beauty in music, especially in this challenging moment in time. I encourage your continued support for Resonance Ensemble, and I am grateful for it.
Indeed, they show us the best of humanity, every time.
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